http://www.ncagr.gov/cyber/kidswrld/plant/nutrient.htm Plants need these nutrients...So do people...Each one of these nutrients, as a mineral, has a different colour...I am doing a painting about swans...I discovered that swans like to eat whole untreated dried corn which you can get 10 kilogram bags of for around $11.49 from Wild Bird Unlimited on Dundas street in Etobicoke...(or your own local wild bird feed store)...Nitrogen shows as yellow in a diamond, also in corn...Nitric acid is what dilates your arteries when you eat a healthy meal like salmon, a baked potato & some vegetables... http://www.khulsey.com/jewelry/gemstone_color.html Here are gemstones & an explanation of why they have which colour...Additive colour theory means that if you have three circles of colour that intersect, like red blue yellow, the middle circle will be white...Subtractive colour means that the middle circle will be black...see the pictures in the link above...
http://www.amazon.com/Sari-Grove-ebook/dp/B0042JT2S6/ref=sr_1_14?ie=UTF8&m=AZC9TZ4UC9CFC&s=digital-text&qid=1284644454&sr=1-14 DON'T BUY THIS BOOK!!! This is my book, an artist book, published on Amazon, for Kindle readers...read the description to understand why I don't want you to buy this book, & be sure to submit your comments & opinions in the Review portion, WITHOUT EVER BUYING THE BOOK...(Maybe then we will get colour art books on Kindles...)
A new note about new method for this work of art: Artists spend the first half of their lives trying to better their drawing skills...Then, it happens...One day, your work is technically excellent...You have achieved the ability to see a bowlful of grapes & draw those grapes onto a canvas then paint them & wow you have a bowl of grapes painting...But...Realism is boring...Once you have achieved that goal, where do you go? Many many artists out there can draw & paint a bowlful of grapes, well...
Is it really enough to portray those grapes well? No...absolutely not...You are not adding to the planet by trying to reproduce likenesses...So, how can you change your method?
Well, this is what I have done for this work...My previous painting "magnolia" was dangerously close in some aspects to verisimilitude...You may say that it is not, but there are aspects of the subjects that I know are actually very close to life...& that bothers me...
This time around, Joseph & I spent the summer buying(I have since learned that we are bad bad very evil people for feeding waterbirds bread or bagels or croissants- & have endeavoured to seek out a whole untreated corn source supply- Queensville Farm supply at left of this post, link, has huge bags for very cheap- I still don't know why frozen corn is a no-no though, anyone???) 7 or 8 bags of bread, bagels, croissants, pita, white bread, brown bread, organic bread, & went to locations on lake Ontario to feed the various wildlife birds...I developed a familiarity with these birds with my eyes, my hands, my heart...many sessions, over several months...
Then, one day, I sat at a sketchbook, & sketched some of the birds from memory...I came up with four swans & a goose...These sketches were free from literal-ness...These sketches had insight & depth...Not realistic, but didactic...My mind had formed opinions of each swan & those opinions came out in the sketches from memory...Had I sketched from life, the images might have been too literal, too real, too superficial...Working from memory allowed my hand to express an opinion...It allowed me to escape realism...here below is the beginning of the painting...(I transferred 4 of the 5 sketchbook sketches by hand to the canvas, overlapping them like a Van Diagram, which I am now resolving using oilsticks (walnut oil sticks from Kama Pigments Montreal), to define & maintain the lines...Much more interesting than another realistic swan painting, no?
Under-Sketch: Papa swan top right, mama swan top left, girl swan bottom right, boy swan bottom left...36 x 48 x 2-1/4" ©Sari Grove 2010
(I'm gonna go with transparent layers to show all 4 figures in the water...shimmering...)(Sketch done from memory of real life swan family)...
Thursday August 12, 2010: morning, drawing a glass bowl refresher...film...(not by me) So, my sketch has 4 overlapping figures, like a Van diagram (you know the two circles & they intersect so you get this cool intersection shape in the middle? like a hot spot? I have been trying to resolve how I am going exactly to overlap my swans, so I watched this short film about drawing glass...Which helped...start with a gray tone, add some white tones, finish with dark tones...I think I am going to do a grisaille ( a grey study) for this painting first...later maybe I will glaze some colour onto each swan to make them stick out individually more, I'm thinking gender specific colours with darker richer tones for the parents maybe, which will help them to stand out more since they are behind the kids...
How did I get the text attached directly to my photo of magnolia? From a comment http://fionapurdyart.com/ (the lady who gave the link to Gimp) on ArtBizBlog http://www.artbizblog.com, I learned about GIMP which is a free Mac download...But here is a trick, in order to use Gimp on Mac Tiger, you need X11 ...First...So, here is a site that gives you the X11 downloads you need free...
Download the X11 two files first from the above site...THEN download Gimp...(If you already downloaded Gimp first, then re-install Gimp to get it to work with X11...)
http://sourceforge.net/projects/gimponosx/files/GIMP%20Tiger%20universal/2.6.10/GIMP-2.6.10-Tiger.dmg/download
This is the direct download Gimp link for Mac Tiger (I have 10.4.11 version)...don't go to this page if you don't want to start downloading right away...